The Conflict Between Catholic And Protestant Churches

In the 17th century, the conflict between Catholic churches and Protestant churches threw Europe into a great turmoil (Buelow 9). Half of Europe was plagued by the seemingly endless wars of religion, and countries such as Italy and Germany broke into numerous political fragments (Buelow 9). After the Thirty Years’ War, there existed more than 300 principalities in Germany (Vaubel 280); Italy also split into many independent or semi-independent states (Buelow 9). During this religious upheaval in the 17th century, a new type of music, Baroque music, developed rapidly and became increasingly prominent. Considering the social and political instability and the enormous financial drain brought by the endless warfare in central, western and northern Europe in the 17th century, it is remarkable that Baroque music not only survived but also developed rapidly (Buelow 9-10). How could Baroque music develop so rapidly in the great religious turmoil in 17th century? The answer is that the conflict between Catholic and Protestant churches and the political fragmentation in the 17th century spurred the rapid rise of Baroque music. Firstly, the conflict between Catholic churches and Protestant churches induced their competition for more spiritually moving music, which led to an increasing demand for musicians, and offered more freedom of innovation for composers. Secondly, the conflict between Catholic churches and Protestant churches in the 17th century led to the politicalShow MoreRelatedProtestant Reformation And The Reformation1727 Words   |  7 PagesHI 101 Essay 3 Zhenli Xu Protestant Reformation Protestant Reformation is admittedly one of the most important schisms in the history of Christianity. It started with Martin Luther nailing the Ninety-Five Theses on the door of the Catholic Church in Germany in 1517, and ended with the Peace of Westphalia in 1648. 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